Untold South Asian Stories at IAAC Literary Festival in New York

New York, N.Y. Aroon Shivdasani, Executive and Artistic Director of the Indo-American Arts Council (IAAC), did not sleep much last month – though she seldom does.

1tQVlYR4X1UlcFJ9AwjQjpDNQwspmQ9KR4WY9p_fQrkAroon Shivdasani, Executive and Artistic Director of the Indo-American
Arts Council (IAAC), welcomes attendees. Photo: Shashwat Gupta.

Perhaps because throughout the year she coordinates the New York Indian Film Festival (NYIFF), Erasing Borders Festival of Indian Dance (EB Dance), Erasing Borders Exhibition of Contemporary Indian Art of the Diaspora (EB Art), and the IAAC Playwrights Festival!

DSC07862Madhur Jaffrey is the author of many previous cookbooks-six of which have won
the James Beard Award-and was named to the Who’s Who of Food and Beverage
in America by the James Beard Foundation. Photo: Sangeeta Jain.

Last month, the IAAC concluded its highly successful Second Annual Literary Festival – this year in collaboration with the English Department of Hunter College on Manhattan’s Upper East Side.

The Festival kicked off with veteran cookbook maven, actor, and director Madhur Jaffrey. Madhur’s latest book, Vegetarian India, is a kitchen essential for vegetable enthusiasts and home cooks everywhere. This award-winning food writer and actress has won numerous accolades in theater and film, as well as for her food. Six of her cookbooks have won the James Beard Award for Food and Beverage in America.

DSC07956Sir Salman Rushdie with Suketu Mehta. Photo: Sangeeta Jain.

Opening Night featured Sir Salman Rushdie and Suketu Mehta engaging in conversation as ‘Bombay Boys in New York.’ Both authors have written extensively about both cities — the fecund and the dazzle — cities which aren’t typical of either of the two countries they inhabit.

Salman is the author of twelve novels: Grimus, Midnight’s Children (awarded the Booker Prize in 1981), Shame, The Satanic Verses, Haroun and the Sea of Stories, The Moor’s Last Sigh, The Ground Beneath Her Feet, Fury, Shalimar the Clown and The Enchantress of Florence, Luka and the Fire of Life, and his latest book which he autographed for me, Two Years, Eight Months & Twenty Eight Days.

ISnQNSfI-WXHUrxIs0eyEThkLLM4Fl59cyoCudjJRE0     Prof. Akeel Bilgrami speaking on The Muslim Invasion. Photo: Shashwat Gupta.

Suketu wrote Maximum City Bombay Lost & Found and is currently writing a book on New York in the same vein. Salman has referenced and set several of his novels in Bombay and his current book Two Years, Eight Months and Twenty-Eight Nights opens in New York with a trip to Bombay.  Suketu’s work has been published in The New Yorker, The New York Times Magazine, National Geographic, Granta, Harper’s Magazine, Time, and Newsweek, and has been featured on NPR’s ‘Fresh Air’ and ‘All Things Considered.’

This second festival offered powerful breakout sessions on myriad literary genres: two foodie panels with Padma Lakshmi and a host of New York chefs whose books are flying off the shelves; two panels on Islamophobia – one discussing books on the subject and the other with Mahmood Mamdani and Akeel Bilgrami on the critical issue of refugees, migrants and terrorists; and a panel zeroing in on Quantico by two writers from that show.

InVO2wVwvsFyqO-UdnLzRQ2SPUgSukNZyWU-E8BiT-ARam Jethmalani speaking as The Rebel. Writing for Network Television
was a conversation between writers Cherian Dabis & Sharbari Ahmed –
both of whom write for the TV Serial Quantum.
Photo: Shashwat Gupta.

With all the news of ISIS and Islam, I was particularly excited about the panel moderated by author Marina Budhos with fellow authors Kavitha Rajagopolan, Tanwi Nandini Islam, and Hindol Sengupta on creating literature about the South Asian Muslim experience. Their task was to answer the questions, How to bring to light an experience that is both over-exposed and invisible? Does one write to counter Islamophobia and stereotypes? Or simply stay true to one’s own private vision? It was fascinating.

Another panel, entitled Treading on Eggshells: The Muslim Invasion, was moderated by author J.J.Robinson who was joined by other authors Mahmood Mamdani and Akeel Bilgrami. They discussed the global and political ramifications of Muslims today – their secular identity, nationhood and identity in a crisis moment; as well as a world view of refugees, racism, and terrorism. Just riveting.

The panel Writing for Network Television, moderated by Sharbari Ahmed with writers Shobhaa De and Cherien Dabis, was interesting as if focused on South Asians on TV. Up until recently, South Asians were often relegated to limited characterizations bordering on caricature: the affable (or grumpy) taxi driver, the fresh-off-the-boat convenience store clerk, and the “guru” brimming with Eastern wisdom.

8NNFx9xXUP_Vv21Y1_vFUmpH7hIJEQDAHYU0fdp6miw  Author Padma Lakshmi with moderator Priya Krishna during the panel,
“Everything Starts With the Written Word.” 
Photo: Shashwat Gupta.

We are starting to catch up as a nation, with shows like the Mindy Project and the rise of stars like Aziz Ansari and Asif Maandvi. And finally a major network, ABC, will air a primetime drama with an Indian female protagonist. That show, Quantico, is groundbreaking in its approach.

The weekend-long event also presented a session with Ram Jethmalani who talked directly about the current state of India under conservative prime minister Modi; panels on historical fiction, women’s and LGBT stories, poetry, and — most important for emerging and self-published writers — a panel with publishers and literary agents who shared their secrets of how and why they choose what they do.

Chaya Babu moderated another panel close to my heart: Negotiating South Asian LGBT Identity. Authors Mala Kumar and John Burbridge joined her. They discussed how literature can be used to highlight critical gay, lesbian and transgendered issues that continue to be taboo on the Indian subcontinent.

My favorite panel was with Social Media Guru Sree Sreenivasan who advised us all on how to publicize literature and the arts through social media. True to form, he streamed his session – which can still be seen here.

The festival was not restrained by its academic roots. This was evidenced by the Literary Pub Crawl in which local actors took visitors on a literary tour of Greenwich Village, visiting bars frequented by literati, listen to passionate recitations, and fantastic tales. As Aroon encouraged the attendees, “Imbibe! Gawk! Grin! Participate!”

HaJZeGLoeiPPlqbCgM3MWh6or3HVzNJeuRn3OHxIhJIMira Nair and Sabrina Dhawan in Conversation: From Page to Stage.
Photo: Shashwat Gupta.

Closing Night focused on a ‘Page to Stage’ session featuring Director Mira Nair and Writer Sabrina Dhawan in a fascinating conversation about the process of taking Mira’s film Monsoon Wedding to Broadway. Mira and Sabrina discussed the process of page to stage (and screen to stage), as well as their amazing collaboration on both the film and the play.

Filmmaker, screenwriter, producer Sabrina Dhawan made her screenwriting debut with Director Mira Nair’s Monsoon Wedding which won the Leon D’Oro at the Venice Film Festival and received a Golden Globe nomination. Sabrina, who graduated from Columbia University’s graduate film program in 2001, is now writing a script for the upcoming stage production of Mira’s Monsoon Wedding.

1LaeWPiq0kPWNY1LXa8U2eeq1rg5HAVOBYwa_k8R2CsThe author with Meera Nair and Washington Garay. Photo: Shashwat Gupta.

Mira is the rare prolific filmmaker who moves easily between Hollywood and Independent cinema. I first met and wrote about Mira at The Asia Society in 2009, resulting in the piece Thought Leader and Global Citizen, India’s Filmmaker Mira Nair.  

Mira made a stunning entry onto the world stage with her debut feature film Salaam Bombay! in 1988. Her second film, Mississippi Masala (1991) won three awards at Venice. Since then she has made many films such as Kama Sutra: A Tale of Love (1996), and the Amelia Earhart biopic, Amelia (2009) starring Hilary Swank and Richard Gere.

DSC07966Founder Aroon Shivdasani at the center of the storm. Photo: Sangeeta Jain.

The Literary Festival was sponsored in part by India Abroad, LassiwithLavina.com, Neerja Sethi, the J. Luce Foundation, and TakkarHarriceNY-DreamsB4UAVSmoleculecommunications.

Literature is a window into the soul of humanity, and as the world becomes perhaps less humane, we need to focus on literature all the more. I was a Japanese cultural studies major focused on literature and although I went into finance and philanthropy, this background has made my life that much richer.

The J. Luce Foundation salutes through leader and global citizen Aroon Shivdasani for her unwavering support of the Arts in New York City, strongly recommend that the Indo-American Arts Council be given a home to grow Aroon’s vision, and look forward to supporting the Third Annual Indo-American Literary Arts Festival next fall!

Originally published in The Huffington Post, November 17, 2015.

Indo-American Arts Council, Inc. (IAAC)
A 501(c)3 not-for-profit secular arts organization dedicated to promoting, showcasing and building an awareness of artists of Indian origin in the performing arts, visual arts, literary arts and folk arts.

517 East 87th St., Suite 1-B, New York, N.Y. 10128.
Phone: 212 594 3685. Web: www.iaac.us

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About Jim Luce: Thought Leaders & Global Citizens

View all posts by Jim Luce: Thought Leaders & Global Citizens
Jim Luce: Thought Leaders & Global Citizens
Jim Luce (www.lucefoundation.org) writes and speaks on Thought Leaders and Global Citizens. Bringing 26 years management experience within both investment banking and the non-profit sector, Jim has worked for Daiwa Bank, Merrill Lynch, a spin-off of Lazard Freres, and two not-for profit organizations and a foundation he founded. As Founder & CEO of Orphans International Worldwide (www.oiww.org), he is working with a strong network of committed professionals to build interfaith, interracial, Internet-connected orphanages in Haiti and Indonesia, and creating a new, family-care model for orphans in Sri Lanka and Tanzania.

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